Transformers: Dark of the Moon

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Transformers: Dark of the Moon
Dark of the Moon Poster.jpg
Genre: Science fiction action
Photography: Color
Running Time: 154 minutes
Country: United States
Release Date: June 29, 2011
Directed by: Michael Bay
Written by: Ehren Kruger
Distributed by: Paramount Pictures
Starring: Shia LaBeouf
Josh Duhamel
John Turturro
Tyrese Gibson
Rosie Huntington-Whiteley
Patrick Dempsey
Kevin Dunn
Julie White
John Malkovich
Frances McDormand
Previous film: Transformers: Revenge of the Fallen
Next film: Transformers: Age of Extinction


Transformers: Dark of the Moon is a 2011 American science fiction action film directed by Michael Bay and based on the Transformers toy line created by Hasbro. It is the third installment in the live-action Transformers film series, and is the sequel to 2009's Transformers: Revenge of the Fallen. It is also the first film in the series not to be co-produced by DreamWorks. The film stars Shia LaBeouf, Josh Duhamel, John Turturro, Tyrese Gibson, Rosie Huntington-Whiteley, Patrick Dempsey, Kevin Dunn, Julie White, John Malkovich and Frances McDormand.

Plot

In 1961, the "Ark", a Cybertronian spacecraft carrying an invention capable of ending the war between the benevolent Autobots and the malevolent Decepticons, crash lands on the dark side of Earth's Moon. The crash is detected on Earth by NASA, and President John F. Kennedy authorizes a mission to put a man on the Moon as a cover for investigating the spacecraft. In 1969, the crew of Apollo 11 lands on the Moon.

In the present, the Autobots assist the United States military in preventing major conflicts around the globe. During a mission to Chernobyl to investigate suspected alien technology, Optimus Prime finds a fuel cell from the "Ark", discovering that it had survived its journey from Cybertron. The Autobots are then attacked by Shockwave, a Decepticon scientist, who manages to escape. After learning of the top-secret mission to the Moon, the Autobots travel there to explore the "Ark". They discover a comatose Sentinel Prime – Optimus' predecessor as leader of the Autobots – and the Pillars he created as a means of establishing a Space Bridge between two points to teleport matter. After returning to Earth, Optimus uses the energy of his Matrix of Leadership to revive Sentinel Prime.

Meanwhile, Sam Witwicky is frustrated that he is unable to work with the Autobots or find a job. He also becomes envious of the close relationship between his new girlfriend, Carly Spencer, and her boss Dylan Gould. After finding work, Sam is provided information by his eccentric co-worker Jerry Wang about the "Ark", before Jerry is assassinated by the Decepticon Laserbeak. Sam contacts the now-independently wealthy Sector 7 Agent Seymour Simmons, and together they realize that the Decepticons and their leader, Megatron, are murdering people connected to the American and Russian space missions to the "Ark". They locate two surviving Russian cosmonauts, who reveal satellite photos of hundreds of Pillars being stockpiled on the Moon. Sam realizes that the Decepticons raided the "Ark" long before the Autobots' mission to the moon and intentionally left Sentinel and the five Pillars behind to lure the Autobots into a trap with Sentinel being the key to activating the Pillars and the Decepticons lacking the means to revive him. The Autobots rush to return Sentinel to their base for protection, but Sentinel betrays them and murders the Autobot Ironhide, revealing he had made a deal with Megatron to ensure Cybertron's survival.

Sentinel uses the Pillars to transport hundreds of concealed Decepticons from the Moon to Earth. Carly is later captured by Gould, who is revealed to be in service of the Decepticons. The Autobots are exiled from Earth at the demand of the Decepticons to avoid war, but as their ship leaves Earth it is destroyed by Megatron's second-in-command, Starscream, seemingly killing the Autobots. The Decepticons, led by Megatron and Sentinel, invade Chicago as their agents place Pillars around the world. Gould reveals to Carly that the Decepticons plan to transport their homeworld of Cybertron to the Solar System, then to enslave humanity and use Earth's resources to rebuild their world. Sam teams up with former USAF Chief Robert Epps and ex-NEST soldiers to go into Chicago to save Carly, but they are nearly killed by Decepticon forces before the Autobots intervene, revealing they concealed themselves during the launch of their ship to convince the Decepticons they were destroyed.

Working together, the Autobots and human soldiers manage to rescue Carly and kill Laserbeak, Starscream, Soundwave and Shockwave, with Optimus using Shockwave's arm-cannon to blast the Control Pillar, disabling the Space Bridge. Sam confronts Gould as he reactivates the Control Pillar, and knocks Gould into the Pillar, electrocuting him. Bumblebee and Ratchet arrive and destroy the Control Pillar, permanently disabling the Bridge and causing the partially transported Cybertron to implode. Optimus and Sentinel fight while Carly convinces Megatron that he will be replaced by Sentinel as leader of the Decepticons. Sentinel severs Optimus' right arm, and is about to execute him when Megatron intervenes, incapacitating Sentinel. Megatron slyly proposes a truce, having the desire to become the one in charge again, but Optimus instead attacks Megatron, decapitating and killing him. Sentinel pleads for his life, but Optimus executes him too for betraying his own principles. With the Decepticons defeated, Carly and Sam are reunited and the Autobots accept that, with Cybertron gone for good, Earth is now their home.

Why It Sucks

  1. Wasted potential for Shockwave, The Driller, Crankcase, Crowbar, Hatchet, Soundwave (again), Laserbeak, Dino/Mirage, The Wreckers and Wheeljack/Que.
  2. Shockwave was the most hyped, which many people believed that he would be the main antagonist. However, he only had seconds of screen time and Sentinel Prime was the main antagonist.
  3. Jerry Wang is not nearly as funny as Bay seems to think he is.
  4. Lots of plot holes for example, Carly overheard Sentinel's plans but just looking into a microscope and once she was rescued, Sam told the N.E.S.T about their plans despite Carly not having anytime to tell him.
  5. All of the Autobots are treated as disposable redshirts except Bumblebee and Optimus.
  6. Several major Decepticon characters are violently killed off for no real reason.
  7. Characters that were underdeveloped never develop in any way.
  8. There are two scenes where it can be clearly seen that the stock footage of The Island, also directed by Michael Bay, is used. Click here to see the proof.
  9. Optimus Prime murders Sentinel Prime, his own mentor, regardless of his betrayal.
  10. Another film filled with mindless, consequence-free city-destruction.
  11. Speaking of the City Destruction, some shots are very disturbing for a PG-13 movie, such as a shot where a Decepticon fighter turns a group of running civilians into skulls and bones, and a shot with human corpses in a destroyed bus.
  12. Seeing the running civilians in terror getting blasted apart on-screen is very frightening.
  13. Sam and the others go to Chicago with their only intention being to save Carly, and not to stop the Decepticons from taking over the entire world.
  14. The opening scene in which the Ark crash lands on the moon is a blatant rip-off of Transformers: Armada's intro.

Redeeming Qualities

  1. Good CGI for the Transformers.
  2. Good and emotional soundtrack.
  3. Leonard Nimoy (AKA Spock from Star Trek) voices Sentinel Prime, which is also a call back to him voicing Galvatron in the animated movie.
  4. Some Transformers fans like this film's version of Sentinel Prime over Transformers Animated's Sentinel Prime. As in Animated, Sentinel was portrayed as an irredeemable pompous jerk.
  5. It’s at least a decent improvement over Transformers: Revenge of the Fallen. Such as when The Transformers has more screen time.
  6. Pointless Transformers from previous movies, such as Grindor, are removed.

Trivia

  1. This was the first Transformers film to be released in 3D.

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